What do I remember
as I am remembering?
To remember or not to remember
may or may not be to recollect;
recollection something other than all the ways
remembering becomes re-memory.
Remembering may or may not be active;
recollection cannot be passive.
I remember thus I have remembered;
what do I do, or have done, when I remember?
I remembered, thus I had remembered?
I am remembering–again, what am I remembering?
To remember is to become a member of the past again,
I have said before.
Once more, this special membership in the mind
is a place in memory everything about in memoriam;
living, an old man once told me
when I was a boy,
is an accumulation of death and dying.
Wordsworth talked about recollections,
not remembrances, in tranquility–
The Sea of Tranquility is on the moon.
Here I am on the shore at surf’s edge in Montauk.
180 degrees of ocean horizon,
from the shore looking out onto the water, water,
almost everywhere . . .
as it extends to the horizon–
what lies on the horizontal–
how does a curved space maintain horizons?
That’s all you see for 180 degrees,
yes, ocean horizon in all directions from left to right.
Ocean and sky and a line
that sometimes appears as if it were wobbling,
horizons in New York are foreshortened,
unless you get high up enough.
Everyone needs to get to the 86th floor of the Empire State Building,
at least once in a life.
I do not recollect how many times I’ve been to the top,
in the day and at night,
clear skies most preferable, of course,
the horizon is not foreshortened at Land’s End,
as far away as the curvature of the earth allows us to glimpse
when there are no obstacles–there are many obstacles that are at the ready wherever we go, wherever we are, however we arrive,
no matter how we imagine we can avoid them.
They are ever present, and not within our control
as to whether or not they come up before us . . .
memories of the ocean, memories of the shore,
more memories of the sand of the sun of the sky,
of the photos I took of the clouds,
the horizon, the surf with the waves rising, curling, turning,
tumbling one after another in perpetuity forever and ever
no mater how the beach shifts, erodes, changes irrevocably
as you would see if you were to have a glimpse of thing
as they happen millennially–but no.
You have other eyes in another mind.
You won’t get this.
You come from a generation that believes
we must rethink our old laws that do not pertain to things now,
and that’s talking about the First Amendment!
Reveries now and then of all–
how can we remember all the things that happen
except in some hyper-fragmented way,
like collecting confetti and piecing this together into the sheets of paper they once were.
I recall each of us, both of us on the beach.
I see her walking ahead of me,
I turn to find her walking behind me,
I reach out to touch her as we walk side-by-side . . .
I love walking with you–
I would not want to walk here with anyone else,
you and her as one.
What I recollect from mornings on the beach in Montauk
waiting for sunrise, standing in the changing shades of the gloaming,
I cannot put precisely in words,
so I record it on film, digital, video.
I also take, in photographs of the sun over the horizon,
the length of shadows it casts,
the changing length as it rises higher and higher,
the sun, its light in the sky from gray to blue gray to an enriching blue,
at least on the day I last recorded sunrise from the shore.
What more do I say?
What else can I?
I do not need to consider this at present.
What present am I talking about you might think?
Present in time, now at this moment;
present in time now in my life;
present as in present tense, usually,
not now at this moment,
but maybe now in my life,
as what I usually do I am doing now in my life,
darkness everywhere pervading my life;
but what I am I am not and always.
The shadows are shades are ghosts–
ghosts, I have imagined;
ghost stories I have always liked more than horror stories with monsters.
I have learned others have believed in ghosts . . .
all of them, these shadows, these shades,
this Wayang performance I once saw,
puppet master from Indonesia . . .
all of them–are they them there . . .
here and there, now and then,
everything falling between all reaching for me,
clutching at me, scraped as I have said elsewhere . . .
I have not seen a ghost in a long, long time.
A skeleton hand clutching at me from behind,
not the ghost’s hand,
the ghost did not have a hand I could see,
no skeleton ghost, always close behind me,
behind everyone, the icicles of a skeleton hand.
The fear of the dark is another kind of fear of the unknown . . .
remembering is by volition or without volition,
recollecting is to remember by volition,
and to recall is to bring to mind, remember by volition,
that is, to recollect with the intention of telling.
No one recalls without telling,
even if we recollect to tell ourselves,
an attempt to fix more securely in mind
so recollection can be had
and it will not be subject to the random side of remembering.
we would walk to Ditch Plains and collect shells,
collect rocks, pebbles, I have a collection of wave worn stones
on a window sill in our bedroom.
I have them arranged around the small pieces of driftwood
we brought back from Montauk
after our son found them and picked them up
from the beach one walk how long ago I cannot say.
I have tried to sketch the shadows of the rocks
on the sill in the afternoon light,
the window in the wall perpendicular to the wall with the window facing east
and the rising sun.
The setting sun reflects off the windows opposite the window
perpendicular to the window that lets in the morning light.
I have tried to catch the shadows in the knotted hollows
of the cliffs of Shadmoor, the Hoo Doos, the natives called,
the spirits that dwelled in the echoes,
we used to pause to listen to the ocean echoing off the cliffs
of Shadmoor coming to them from our room,
coming back from them, times of the day different,
walking there late morning, coming back early afternoon,
walking there, virtually due east,
some time mid afternoon,
coming back with the nearly late afternoon summer sun in our eyes.
When I was a boy walking at night,
I imagined the shadows clutching me jumping out at me grabbing me,
taking me to some unknown between,
what lies between here and there,
I have asked this elsewhere.
I watch the branches, winter bare,
on my block all the way home alone after after-school,
look to, look at, watch.
The London Plane trees in my old neighborhood–East Flatbush–
we had a lot of trees on our streets.
Winter bare trees shaking in the wind–
I would sometimes scare myself and have to run home beneath them,
convinced that if I slowed, they would bend and grab me,
pick me up and that would be it,
I’d be gone,
I used to run out of rooms after turning out the light
when I am a boy, not the same fear now,
but the memories of then are fiercely vivid,
and sometimes I find myself hastening
my step out of room after turning out the light at night, recollecting with the same intensity as the felt what I had experienced as a boy.
To remember, to recall, to recollect, to remind . . .
what then do we say about what it is we do in mind,
in, with and for memory?
I now recall what the French say when they want to say I remember;
they say, Je me souviens,
or, literally, I overcome myself?
The French souvenir a compound of over and come
as in the English to overcome
or to be overcome,
a different connotation,
but then, to remember is a way of overcoming one’s self,
to be overcome with images or emotions or the echoes of words.
Doubt is not the highest form of wisdom
whenever we enter nostalgia.